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nerdy-novelist017 · 5 months ago

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A Date (Benny Cross x Shy!Reader Pt 3)

Thank you so much for all your kind words, likes and reblogs on my last two posts! You guys are keeping me so entertained with the comments!

Ugh I rewrote this like 3 times :( I just couldn't get it right and I'm still not sure how I feel about it OH WELL

Benny x Bunny Masterlist

Word Count- 2.2K

Summary- You were sure you'd never see Benny Cross again. . . you were wrong.

******

“Benny’s been asking for ya.”

Your heart skipped a beat and you nearly dropped the receiver into the bowl of cake batter. Kathy’s statement came out of left field, the two of you having been discussing the latest news on the block – what kind of lipstick Sheryl Dickie uses that somehow always lasts an entire night of bar hopping. “What?”

“Yeah, says he’s real desperate to ask you somethin’,” Kathy’s tone was flippant, but you’ve known her long enough to hear the excitement she’s hiding in her voice.

“What could he possibly have to talk to me about?” You asked as you set the whisk down and moved around the kitchen counter to peak down the hallway towards the living room where you knew your father sat in his large recliner, watching a rerun of Bonanza.

“I dunno, maybe you should come to another meetin’ so you can find out.”

“No, I’m not going to anymore of those.” you declared firmly, yanking the cord so that the phone was up to your other ear. “I don’t know how you can stand being around those guys.”

Kathy laughed, the static spiking. “C’mon, they’re fun, and you know it. Did you tell your parents how you got to ride on the back of a Vandal’s bike, and not just any Vandal!”

“No!” you squeaked. “And they’re never going to know. It was a one-time thing.”

“It doesn’t have to be. They’re having another meetin’ tonight. I’m sure Benny could pick you up–”

“Well, I can’t tonight,” you cut her off. “I have plans.”

“What plans?”

“My date.”

“Date?” Kathy asked, voice lowering dubiously. “With who?”

“Pete,” you said quietly.

“Who?” she asked again.

You sighed. “Pete? The guy from Mama’s church?”

Pete was introduced to you last week by your mother who was introduced to him by his mother. It was a train of people who wanted to matchmake, to see young love blossom before their eyes, even if it was forced. Pete was nice enough and he had kind eyes that sat behind wide-rimmed glasses. You’d been on one other date with him. He was an engineering student in his first year and he talked a lot about his school. He liked school. And he liked to golf nearly every weekend (his family belonged to the country club on the upper side of town). And mostly – he talked a lot about himself. He seemed to really like himself too.

“Oh, okay.” Kathy sounded unimpressed.

“My family really likes him. My dad likes him.”

“Yeah?”

At her unenthusiastic response, you added quickly, “And I’m excited!”

“Is that why you’re stress-baking?” Kathy inquired as if she could sense it.

You glance down at the bowl of cake batter. No, it wasn’t, actually. You weren’t nervous to go on your second date with Pete; he didn’t make her nervous, didn’t fill your belly with those pesky butterflies. Pete was . . . just Pete. No, you were stress-baking because of a certain blonde Bikerider whose ocean blue eyes wouldn’t leave your thoughts all night. You were up, tossing and turning, replaying every moment with him like a broken record. It was one ride, the logical side of your mind had to say, and you’ll never see him again. You allowed yourself the rest of the night to think about him, and then you wouldn’t set aside any more time.

In theory, it was a nice strategy. But when you woke up today, your thoughts were absolutely clouded with him and his incredibly direct eye-contact and his deeply rich voice and his hand touching your thigh and his lips encasing the cigarette—

You were doing it again! It had been one ride! One ride and a few hours. One ride where your arms wrapped so tightly to his solid form. One ride where he showed you places you’d never seen before, from a point of view you’d never been before. One ride where you felt as though you were seeing the world in a whole new light. One ride that you couldn’t get out of your head.

“Yes, because of Pete,” you replied evenly. “And I’m going to have a good time with him tonight.”

There’s a smile in her voice when she says, “Okay, sure. Say, what restaurant did ya say he was takin’ you?”

********

Thanking the driver, you stepped out of the cab, your heels connecting softly with the concrete of the sidewalk. Taking a moment to smooth any wrinkles on your pink dress, your gaze fluttered across the street to the restaurant Pete told you to meet him at.

Ricardo’s was one of the most expensive restaurants in town, somewhere you never found yourself frequenting, but Pete absolutely gushed about their food. Coming from old money, Pete had no hesitation picking here for your second date. Pete’s family was well off, that’s what your mother liked to point out. He was a good boy with good money. He would provide for you, buy you a nice house with a picket fence in the front yard. A safe bet for the same routine life that nearly all the women of your family had spanning back several generations.

You made your way across the street, eyes taking in the lineup of expensive cars parked out front: Mercedes, Rolls Royce, Cadillac . . . Harley-Davidson motorcycle. You did a double-take at the shiny metal glinting underneath the streetlamp, eyes traveling upwards to the figure leaning casually against it. He was looking at the restaurant, head turned to give a generous view of his profile, and he hadn’t noticed you yet. For a split second, you considered taking advantage of that and booking it into the front door before he had a chance to stop you. But some deeply intrinsic part of you yearned to memorize every detail of him and you simply couldn’t look away. As a moth drawn to flame, you were drawn to him, to the golden streaks of his hair, down to the strong slope of his nose, the curve where his top lip sat so perfectly against the bottom – even with the cigarette tucked between. He wore long sleeves under his club jacket and the same distressed jeans from your last encounter. Half shrouded in the darkness of night, with the orange glow of the streetlight nearest to him, he looked like a beacon of mystery. Abandoning your previous course, you turned and approached him.

“What are you doing here?” You asked once you were close enough for him to hear you.

Benny turned and a smile broke out over his features, eyes sweeping down your figure. “Do you dress like that all the time or only when you’re gonna see me?” He asked, nodding to your dress and heels.

You stopped about 6 feet away from him (a reasonable distance), hopping up onto the sidewalk. “I didn’t expect to see you here.”

“What a chance encounter,” he proclaimed with a secretive wink that sent your stomach on a roller coaster ride.

“Chance encounter, or Kathy’s loose lips?” you quipped and he rubbed a hand over his mouth to keep from smiling, fingers grazing through the blonde, recently-trimmed facial hair.

“Why are you here?” You asked again, this time a touch quieter.

“Well, I have a coupon,” he replied simply.

You couldn’t stop the smile from tugging at your lips, your brows raising incredulously. “A coupon? To Ricardo’s?”

“Mm-hm,” he nodded, straight-faced.

You rolled your eyes at his antics. He had a coupon, your ass. A well-dressed elderly couple walked past you both on the sidewalk, each shooting a look of disapproval toward the dirty young man leaning against his death machine. Benny seemed not to notice them, his gaze still on you.

“Why are you here?” he questioned.

“I–I have a date,” you replied and desperately tried to ignore the heat rising to your face at the admission. “But something tells me you already know that.”

“Hmm,” he hummed, looking down to the ground for all of five seconds before his gaze flashed back up to you. “Wanna go for a ride, Little Bunny?”

“What? No.” You narrowed your eyes at him.

“Why not?”

“Well, I just told you I'm here for a date,” you replied with a tilt of your head.

Benny shrugged. “So?”

You shook your head but he continued, “Why are you wastin’ your time with dates when we’re gonna be married anyway?”

Your mouth fell open in surprise. The nerve on this guy! Part of you was surprised that he still had it in his head of marrying you. You thought maybe he had a few too many beers last night or was just smooth-talking you so that you’d let him sleep with you. But here he was, showing up on the sidewalk, giving you those puppy eyes. You’d already denied him once. Could he not take a hint?

“I don’t recall you ever asking.” you pointed out, feeling emboldened by his casual attitude.

He perked up at that, tossing the remainder of his cigarette to the ground. “You want me to ask?”

You fought to remain neutral-faced at his playfulness. “No, thank you. Now, if you’ll excuse me . . . I have a date.” One that you were excited about before you caught sight of Benny and your train of thoughts completely derailed.

Benny held his hands up in a conciliatory way and you turned on your heel, leaving him out on the streets as you made your way inside.

******

The clock on the far wall seemed to be mocking you, minutes ticking by mercilessly. You resisted looking at it, instead planting your chin in the palm of your hand as you watched the door, waiting for Pete’s familiar face to appear. It had been over an hour. He was over an hour late for your date.

Each time the waitress returned to fill your glass of water, you told yourself a new lie. He was just stuck at work, he’ll be here soon. He was running behind getting ready, he’ll be here soon. There must have been an emergency, he’ll be here soon. He wouldn’t stand you up, he’ll be here soon.

But as the seconds passed, you sunk further and further into your seat, humiliation forming a ball in your stomach. Surely, he had gotten his days mixed up? He really seemed to enjoy your first date, so why was he nowhere to be seen. Every time someone walked through the front door, the little bell chiming above, you glanced up, certain it would be him. But it never was. At first, you were angry. How could he have the audacity to leave you hanging without so much as calling you before he left if he knew he wouldn’t be able to make it. Then a bitter thought came to mind: what if he stood you up because he didn’t want to go out with you again. What if you weren't good enough for him. You had spent your whole life on the never ending hamster wheel of trying to be good enough for everyone else. Was your hard work even noticed?

Recognizing the sting of unshed tears, you looked down at the napkin folded neatly in your lap, blinking rapidly in an attempt to get control of yourself. The bell chimed over the front door, but you couldn’t bring yourself to look over at it, not wanting to feel the crushing disappointment of another wealthy customer walking inside and not your date.

Then a flash of dark clothing popped across from you and you looked up just as Benny Cross slid into the empty seat. You opened your mouth, but no words came out. He leaned forward, elbows of his leather jacket propped over the tablecloth.

“Pete not show?” he asked, expression solemn.

Your ears burned and you shook your head. Too preoccupied by your embarrassment, it didn’t even occur to you that you had never told him Pete’s name.

He frowned and he genuinely appeared upset. Unable to maintain his direct gaze, you glanced away and caught the eyes of everyone else in the restaurant staring wide-eyed at the two of you. You realized that it was Benny who they were gawking at. And you didn’t seem to notice until now that he looked totally out of place with his worn clothes and dirty hands. As if sensing their not-so-subtle staring, Benny turned and looked about the room.

“What’s with all the stiff shirts in here?” he asked, sending you a conspiratorial glance. “I think they might be intimidated by you.”

“Me?” You furrowed your brow. It definitely wasn’t you they were looking at. In fact, the only person who was staring at you was Benny.

“Yeah, I bet they’ve never seen anyone as pretty as you. Most people haven’t and they don't know how to act when they do.” He grinned and you had to look down at your lap as heat rose to your face.

“I guess Pete wouldn’t agree,” you muttered quietly, feeling the anger in your heart fizzle out to meer disappointment.

“Fuck Pete,” Benny said passionately, causing an elderly woman behind you to gasp and you giggled, shocked at his language. Benny was bad, he was trouble . . . but he was also fun, and you couldn’t hide your eagerness as he leaned his arms across the table, moving closer to address you privately.

“You wanna get out of here, Bunny?” His question sent a gust of anticipation through your veins.

“Yeah,” you admitted, smiling shyly.

He stood quickly and you followed in suit. Then he did something that caused a wave of butterflies to roll through your stomach; he reached out and clasped his hand with you, interlocking fingers tightly. You grinned, excitement making you feel light and airy as he pulled you through the restaurant, past all the staring faces and harsh whispers and out the door into the night which felt alive with a whole new feeling of possibilities.

*Tag List*

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#i need a biker boyfriend #benny cross #benny x bunny #benny cross x reader #the bikeriders #benny the bikeriders #fluff #imagine #austin butler x reader #austin butler #benny x reader #motorcycle #austin butler fandom #austin bulter x you

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luveline · 1 year ago

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hiiii jade!!!! could i please request something with peter with reader who’s maybe put on some weight recently and is insecure about it?? (totally not self indulgent at all) i totally get it if you’re not comfortable writing that stuff though so no pressure

hi lovely! ty for requesting. fem, 1k

cw for negative weight talk/ weight gain

Everybody gains weight during the holidays, you think, tracing your figure in the mirror. Though it's not strictly holiday season yet, it's edging toward the end of the year. Maybe my new year's resolution should be losing a few pounds.

There's a thunk of the bedroom window being yanked open and footsteps across the floor. You tense until your hear Peter panting for breath, likely having swung to you at high speed, or fresh from a fight with an usurped criminal.

You rush back into your t-shirt, knowing exactly what path he'll walk. He barrels into the bathroom, sees you at the mirror and smiles so wide his cheeks look fit to burst. "Hey," he says, peeling the suit off and exposing his boxers to you without shame, "hey hey hey. Can I persuade you in with me?" He nods toward the shower.

"Not this time, Pete."

"Too bad," he laments.

You look away as he strips out of his underwear. The shower turns on and he takes you by the hips to move you out of his way with a murmured apology, near lost to the drum of the spray. Peter has moments where he doesn't know his own strength, but the majority of the time he treats you like you're something precious.

"Stay in here!" he demands as he pulls the curtain shut.

"I'm not going anywhere." You close the toilet and sit on the lid. "Tough day protecting the people?"

"Apart from tripping into a deceptively large pothole, it was fine. Why won't you come in here with me? I wanna rub your shoulders."

"You want me to wash your hair."

"Exactly. So get naked and get in here. Don't make me beg."

You really don't want to, and you're not going to, but it's not a big problem. Peter doesn't truly mind, he just loves you. "What do you mean, deceptively big? Like, knee height? Higher?"

"Mid thigh, I'd say. The people of New York are never gonna let me live it down. One guy was recording me and said he was gonna put it on YouTube for the ad money."

"Anything else?"

He gives you the rundown, describing what perps he faced and an older man he helped use an ATM machine. You hum distractedly, pinching at the fat where it spreads on your thigh, sitting down as you are.

He sticks his face through the curtain gap, hair slicked to his cheeks. "What're you doing?"

"You told me to stay, so I'm staying."

He's nervous for a split second, glancing back into the shower as though there's an answer there waiting for him before angling himself toward you fully, his naked chest dripping and shining in the bathroom light. "Okay, fine, we need to talk about something. But I want you to know that you forced my hand here. Okay?"

"Okay." You nibble the inside of your lip, used to his theatrics. "What have I done?"

"It's not something you've done. It's something you are. I can't even say it. I," —he pulls the curtain in front of his face, moves it aside again– "just need to tell you. Lately it's like you don't even realise how beautiful you are and I'm tired of it. You're radiant. Like, glowing."

Your recent internal debate must show on your face, that doubt, because he gives you a steadying smile. "Really, really beautiful," he says more seriously.

It's easy to smile at him. "Thank you, Pete." You scoop his suit off of the floor. "I'll go scrub the tetanus out of this in the kitchen sink."

"Wait–"

He can't just get out with suds in his hair, giving you the perfect escape plan. You have ten minutes to yourself filling the sink with soapy water and steeping the fabric before he's out of the bedroom in pyjamas, trousers tucked into his socks and hair damp from ferocious towel scrubbing. "You're such a– such a– thing," he decides. "I'm telling you you're beautiful and you walk off so you don't have to hear it? What's wrong with you?" His voice slips into a kinder register. "You do know you're pretty, right? I'm not just saying it to say it."

"I'm just feeling icky," you confide.

"About what?"

You want to tell him, you find. "You know how I've gained weight?"

He doesn't need any more explanation. Peter knows you've gained weight, you've mentioned it to him, and it's visual, and he can likely tell whenever he decides to flex his strength. "What, and you think that makes you less pretty?" He puts a damp hand behind your neck to bring you forward. "Seriously?"

"Yeah, a little."

He kisses you. His nose bumps your nose, his lips crushed to your as he holds you in place. Despite this, it isn't an overly rough connection. It's definitely not shy. "You're beautiful," he says in the space between your lips.

"It doesn't suit me–"

"It does. It really fucking suits you. Have you seen yourself? You couldn't look better."

"Even when I was thinner?"

"You look just as perfect then as you did now." His intensity fades and he encourages you back enough to see your face, his thumb rubbing a short line into your neck. His brows are furrowed, dark eyes darker for it. "Weight isn't a factor."

"No, but you have to say that."

"I don't. Not really. I'm sure there are a thousand shitty guys who'd tell you something different, but I'm not– I love you, the whole you. I like you like this." He grins. "Which should be obvious."

You tsk at him, to his delight, his laughter boyish as he buries his face in your neck with a hug, kissing a messy circle up and into the soft line of your jaw. You trap him there without thinking, chin hooked down, squirming as he blows hot air into your skin.

"I've been putting it on too," he says. "It's happy weight."

"It's not happy weight for you, Pete, it's just more muscle."

"It makes you happy, doesn't it?" he jokes, smiling and kissing and hugging you all at once. "Just like it does on you for me."

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badnewswhatsleft · 6 days ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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cowboybeepboop · 3 months ago

Text

Sugar

"I'm not finished proving my point, sugar."

Pairing: Jake “Hangman” Seresin x fem! Reader

Genre: Smut

Word count: 6k

Summary: You’ve spent months avoiding the advances from Jake, finally deciding to give in to his desire and your own.

a/n: I just remembered how much I loved Glen in TGM and now I’m obsessed with writing for him 😍😭. I always take requests so send any you have my way. Hope you enjoy <3

Maverick took a liking to you the second he met you, as one of the aircraft maintenance technicians assigned to work with the fighter jets, he shows you and your coworkers immense respect. He always makes a point of telling his team that the technicians are the reason they are able to complete their missions.

Pete brings his group of rowdy aviators into your work space. You're spinning in your chair, your jumpsuit tied around your waist as you got too warm with the summer air. He chuckles lightly when he sees you, he was pretty amused by the sight. Seeing you with your jumpsuit tied around your waist as you spun around in your chair, you looked pretty cute, in a little sister sort of way.

“Hey Kid." his eyes lock onto yours as he steps closer.

“Oh,” you stand up awkwardly, adjusting your tank top. “Hi sir, what brings you here?”

"We were just briefing with the other aviators. Thought I'd bring them by to see the people who keep us flyin'." he smiles softly at you, causing you to relax slightly.

“Well, it’s a great pleasure to meet you all.” your face brightens as you address the rest of the pilots. “My name is Y/N,” your lips curve into a dazzling smile. The other pilots nod and greet you politely, but they're all distracted, unable to keep their eyes off of you. They all look you up and down, admiring your beauty. They didn't expect to see a woman working with aircraft maintenance, but here you were, clearly skilled at your job, if Mav is wanting to introduce them to you specifically.

One of them in particular was checking you out a lot more than the rest, staring at you through his aviators as he looked you up and down. The dirty blond haired man was definitely taking a liking to you more than the others as he leaned against the wall, arms folded across his chest.

Maverick notices the way the Hangman is looking at you, and he doesn't like it. He can sense the man's desire from a mile away, and it makes him wary.

“Well, if anyone has any questions I’d be glad to answer them.” you slip your arms back into the sleeves of your uniform, taking a seat at your desk once again, eyes flicking over the paperwork in front of you.

As you looked up, Hangman's eyes met yours, a subtle smirk playing at the corners of his lips. He couldn't help but be impressed by your dedication to your work.

Hangman pushed himself off the wall and sauntered closer to your desk, stopping right in front of you. "Hey there, sugar."

You give him a gentle smile as you're used to the flirting of the aviators. “Hey, do you have a question for me?”

"Oh, I think I've got a few questions." Hangman grins, his eyes looking you up and down slowly, taking in every inch of you. He leans forward, bracing one arm on your desk to get a better view.

He cocks an eyebrow, “But I might just get distracted by you before I ask them.”

“Is that so?” you gaze up at him with amusement.

"Yeah, you're just a little too distracting." he grins, a cocky look on his face.

His gaze drifts down to your exposed arms and lingers a moment, taking in your skin, before his eyes snap back up to your face. He smirks, "You know, a girl like you working in a place like this? Gotta say, it's a nice change of pace."

You stand up, leaning toward him as you smile. “You're a sweet talker blondie, but trust me. I’m not interested.” your voice is full of venom as your grin widens.

“I’m not a fan of aviators who are quite obviously making up for what they lack,” your eyes flick to his lap, “by keeping a cocky attitude towards any woman their eyes land upon.” you pat his shoulder softly as you turn on your heel, walking toward Mav.

Hangman stands there, stunned. He's not used to being told no, especially in such a blunt manner. His face hardens at the jab at his.. anatomy, and his smirk twists into a scowl.

Maverick stands nearby, watching how you handle the situation with interest. He's trying to keep his expression neutral, but there's a hint of a smile on his lips.

He knows Hangman's reputation, and he's glad that you were able to put him in his place. "Well done, Kid." he pats your back affectionately.

__________

A couple months have gone by since you met Hangman, you purposely try to avoid him, knowing that he's your exact type (an unnaturally attractive man who *knows* it). But it seems like the more you avoided him the more he sought you out. He always seemed to be lurking at the end of the work day, trying to get your attention, doing anything he could to be by your side.

Your coworkers press you, practically begging you to come with them to the bar. You agree to go with them to The Hard Deck, slightly annoyed at your choice in clothes as you're wearing a cropped t-shirt and a pair of jean shorts, it’s going to catch some unsavory attention.

Your eyes land on Maverick as you enter the bar, your eyes brightening as you walk up to him, slipping into the seat next to him. “Good evening Sir.” you smile over at him.

Mav looks up from the book he was reading when you sit down beside him. He smiles warmly when he sees you. "Hey Kid. It's good to see you." He sets down his book, his eyes scanning over your outfit. He notices that your choice of clothing is a bit too revealing for his liking, and he can't help but feel a pang of worry.

"Have you been working hard today?" He asks, trying to keep the conversation nonchalant.

“You know it, I’m always working hard.” you order a beer before turning your attention back to the older man. Maverick raises an eyebrow as you order a beer, he takes a sip from his own drink, his eyes never leaving yours.

"You work too hard, you know that?" He says with a slight chastising tone. "You should take some time for yourself, relax a little." you laugh in response.

“It’s funny to hear you say that,” you take a drink of your beer, fumbling with the bottle. He watches you as you take a drink, a slight smirk tugging at the corner of his lips. He was used to seeing you in your coveralls, dirty from working on the planes all day, but now, with your shorts and cropped top, you looked like a completely different person.

"What can I say, kid," he says, his eyes lingering on you for a moment. "I'm just concerned about you, that's all. You're young, you should be enjoying yourself, not working all the time."

“Yeah, you're right.” your lips purse, “but it takes hard work to prove your value as an employee.”

Mav leans back in his chair, crossing his arms as he gazes at you with a mix of admiration and concern. He can see the determination in your eyes, the desire to prove yourself in a field dominated by men.

"I understand that," he says quietly. "But you also have to take care of yourself. You're no good to anyone if you burn yourself out." you grin over at him, taking notice of your coworkers calling you over to the pool table.

Mav watches as your coworkers call you over to the pool table. He can see the excitement in your eyes, the way your lips curve into a smile.

"Go on," he says, gesturing towards your friends. "Have some fun. Just don't get too drunk, alright?" He adds, a hint of concern in his voice.

“Yes Sir,” you leave your seat grabbing your beer as you walk over to them. You immediately notice the eyes of Hangman on your body.

Hangman's eyes hungrily roved over your exposed skin, his gaze lingering on your thighs and the small bit of midriff that was visible. You could almost feel the heat of his gaze as you approached the pool table.

He leaned against the wall, a lazy smirk on his face as you joined your friends. As you took your place near the table, he pushed off the wall and sauntered over to you.

"Looking good, sugar." he drawled, his eyes flickering over your exposed body.

“Ah, Hangman? Is that right?” you glance over to him, your arms crossing over your waist.

"That's right, sweetheart." Hangman smirks, his eyes flickering down to your crossed arms, clearly noticing the way you're trying to hide yourself from him.

He steps closer to you, the scent of his cologne filling your nostrils as he leans in. "Now, don't cover yourself up on my account. I like what I see." he purrs, his eyes traveling down your body again, his gaze lingering on your thighs.

“You're not gonna drop the act are you?” you sigh out, eyes narrowing as his cocky grin.

"This isn't an act, doll." Hangman's tone dropped lower, a hint of a challenge in his voice. He stepped even closer, his chest almost touching yours. "I mean every word I'm saying."

He reaches out, gently gripping your hip, his thumb brushing against the exposed skin at the edge of your shorts. "You're a sight for sore eyes, sugar." his touch sends shivers down your spine, desire pooling in your stomach,

You press your hand against his chest, pushing him into a seat roughly. “Your sweet talking won’t work on me, pretty boy.” Hangman grunts as he falls into the chair, slightly surprised by the forcefulness of your shove. He leans back, his eyes flickering over your form, taking in the way your body moves in your tight shorts.

"Oh, so you do have some fire in you." He grins, clearly unfazed by your aggression. "But I don’t think I’m going to give up that easily, sweetheart." his attraction for you seemingly grows at your assertiveness.

“Well, the same can be said for me.” your tone is cold as you move away from him, taking your place with your fellow technicians once again. Hangman's eyes never leave your form as you walk away, his gaze fixated on the way your hips sway in your tight shorts.

He can't help but admire your attitude, the way you refuse to give in to him so easily. It's a challenge, one that he's surprisingly enjoying. Hangman stays seated for a moment, watching as you join your friends over at the pool table. He takes a deep breath, his mind still focused on you and the way your body moved. There was something about you that made him want to push your buttons even more.

The night drags on and you find yourself calling it quits pretty early, you've never been attracted to the long nights spent in a rowdy bar. “Hey guys, I’m gonna head out.” you walk out the door after saying goodbye to your crew.

Hangman, who had been watching you all night from the bar, quickly sets down his drink and moves to follow you. He follows at a distance, wanting to catch you alone without the watchful eyes of your friends.

Just as you're a few steps away from the bar, he calls out to you. "Hey, Y/N, wait up." you ignore him and pick up your pace, heading toward the beach.

Hangman increases his pace in response, determined to catch up to you. Despite your attempts to get away, he manages to catch up fairly easily, his long legs carrying him closer to you.

He reaches out and grabs your arm to stop you, his grip firm but not forceful. "Hey, hold up a sec."

You turn to face him with an irritated expression, “What is it now?”

Hangman grins at the irritation in your voice, clearly enjoying the effect he's having on you. He keeps a grip on your arm, holding you in place.

"Now, that's no way to talk to me, sugar." His eyes rake over your body, taking his time to appreciate your form in the darkness. "I was hoping we could have a little chat."

“About what?” you wriggle out of his grasp, moving further into the sand. Hangman follows you into the sand, his confident stride matching your quick steps. He keeps his eyes trained on you, a sly smile on his lips.

"Oh, there's a lot I'd like to talk about." He steps closer to you, his presence feeling oddly dominant as the beach becomes quieter. "But right now, I wanna know why you're so opposed to my attention."

“What’s wrong?” your arms cross under your chest as you drop into the sand, breathing in the refreshing breeze. “Not used to someone being so.. Put off by you?”

Hangman chuckles, your question clearly amuses him. He plops down in the sand beside you, sitting close enough that his thigh brushes against yours, your eyes focus on his clothed leg against your bare one.

"You could say that." He turns to face you, his eyes roaming over your body for a moment before meeting your gaze. "Most girls are putty in my hands. But you, you're different." your eyes roll at his response.

“That, there is exactly why I’m so opposed to you,” you lean back on your palms, “Your cocky attitude can't always get you what you want.” Hangman's smirk widens at your eye roll, clearly enjoying the banter between you two. He leans back in the sand as well, mirroring your position.

"Oh, you'd be surprised, sugar. My cocky attitude has gotten me a lot of things." He glances over at you, his eyes roaming over your figure once again. "But you..." He pauses, his voice dropping lower. "You're the first one who's actually resisted me."

You lean back into the sand, body relaxing into the ground. “You're such an ass,”

Hangman grins at your response, clearly enjoying your sharp tongue. He turns onto his side, resting his head in his hand as he gazes down at you.

"I won't deny that." He lifts his free hand, reaching out to playfully tug on a strand of your hair.

“So, if I gave into you,” you brush his hand away, “would you leave me alone?” eyes focusing on the night sky above you.

Hangman raises an eyebrow at your question, his cocky smile never faltering. He props himself up on an elbow, shifting closer to you in the sand.

"Now, why would I want to leave you alone if you gave in to me?" His eyes roam over your figure, a hunger in his gaze. "I'd want you all to myself."

You laugh sweetly, “You really don't strike me as the type to stick around, Hangman.”

Hangman grins at your comment, clearly finding your dismissal more amusing than irritating. He scoots closer again, his breath warm against your neck as he leans in.

"The name's Jake." His lips brush against the shell of your ear as he whispers his name, his tone suddenly lower, more intimate.

“Well, Jake.” you sit up, moving away from his body. “I think you should find a new girl to chase.”

Jake's smile falters slightly as you move away from him, disappointment flickering in his eyes. But he quickly recovers, his cocky demeanor returning.

He sits up as well, he gazes at you, his eyes roaming over your defensive form. "And why would I do that?” he asks, his voice almost a grumble.

“Because,” you study his expression, “I told you before, I’m not interested.” Jake's eyes narrow as you reiterate your lack of interest. Your stubbornness is both frustrating and strangely intriguing.

He leans closer, his hand reaching out to brush a strand of hair away from your face. "Are you sure about that, sugar?" His voice has a hint of challenge in it. "You don't feel even a little bit interested?"

You move to your knees swiftly, leaning forward to press a soft kiss to his lips. As you pull away, you smile sweetly, “Now I’m 100% sure.”

Jake's eyes widen at the unexpected kiss, his cocky veneer slipping momentarily. He's completely taken aback by your boldness and the sweetness of your smile.

He just stares at you for a moment, clearly caught off guard. His confidence slowly returns, and a sly smile tugging at the corner of his lips. "Oh yeah?" he purrs, shifting closer to you again. "One little kiss, and you're already 100%, huh?"

“One kiss is all I needed,” you push his shoulder gently, adding distance back between your bodies. “I didn't even feel a thing.” you gulp as the lie spills from your lips, there was no way you would give him the pleasure of knowing he had sent shivers down your body.

Jake's smirk falters again, his ego clearly bruised by your words. He can't understand how you're unaffected by the kiss, especially when it had the complete opposite effect on him. He stays silent for a moment, his mind working to come up with a response.

"One kiss wasn't enough," he finally says, his tone a mix of irritation and determination. "No, I think you need another one just to be sure." his hands grasp your hips as he pulls you closer.

“Aw, come on Jake.” you don't resist his touch, “You don't want to come to terms with the fact that you might just be off your game?”

Jake's eyes darken at your words, clearly not appreciating your teasing. He pulls you closer, his body pressing against yours, his grip on your hips tight.

"My game is never off, especially with pretty girls like you." He leans in, his mouth just millimeters from yours. "In fact, I think I'll prove it by making you feel something."

“And how do you plan to do that, pretty boy?” you tease him further.

Jake's grip on your hips tightens as you call him "pretty boy," and you can see a flicker of irritation flash across his face. He's clearly not used to being undermined like this, especially by someone he finds *this* attractive.

With a swift movement, he flips you onto your back, pinning you down into the sand. He hovers over you, his body pressing against yours.

"Like this," he says, his voice low and gruff. "I'll make you feel something alright." his lips capture yours in a hungry kiss full of desire.

You let out a muffled noise, obviously caught off guard by his action. Jake takes full advantage of your surprise, his tongue slipping past your lips, and explores your mouth with ravenous desire. His body presses against you, his weight pressing you into the sand, and his hands begin to roam over your body, mapping out your curves.

You press your hands against his chest, pushing him away with a flustered expression. Jake pulls back, his breath heavy and ragged, his eyes filled with a mixture of desire and triumph.

He gazes down at you, his eyes roaming over your flushed face and slightly messy hair. "See, sugar?" he grins. "I told you I'd make you feel something."

“You.. didn't.” you protest, “all you did was catch me off guard.” Jake chuckles at your reply, his eyes flickering over your form again, taking in the way your body looks beneath him.

"So, you're telling me that right now, you're not feeling anything right now?" His hand slides down your side, resting on your hip. "Not a single thing?"

“Not a single thing.” you parrot, breathlessly. Jake grins at your response, clearly not believing you.

His hand that was on your hip slowly moves up to your stomach, his thumb tracing slow, teasing circles on your bare skin. “Is that right, sugar?” he drawled. “Nothing at all?”

You suck in a deep breath as his calloused thumb, giving you goosebumps. “Mhm, nothin’.” you murmur. Jake's smirk deepens as he watches your reaction to his touch. He notices your goosebumps and the way you sucked in a breath, he clearly knows he's getting to you.

His hand moves from your stomach up to your waist, sliding under the hem of your shirt. His fingertips graze against your bare skin. You gasp at his touch, your breathing becoming ragged as his hand explores you.

Jake lets out a soft, guttural sound as he feels the effect he's having on you. His hand continues to move, his fingers lightly trailing over your skin, tracing the lines of your body. His eyes never leave your face, taking in every reaction.

"Still not feeling anything, sugar?" he teases, his voice a low, rumbling growl. Your eyes squeeze shut as your expression contorts with pleasure, you lean forward pressing your flushed face into his neck.

Jake lets out a soft laugh as you bury your face into his neck, clearly enjoying the effect he's having on you. His hand continues to explore your upper body, his touch sending small waves of pleasure through you.

He turns his head, his lips brushing against the shell of your ear as he whispers. "You're losing, sugar."

“You've made your point,” your voice is a shaky whisper as you pull his hand away from your body, still focused on resisting him.

Jake lets out a low rumble, clearly not happy that you've pulled his hand away. He gazes down at you, his eyes darkened with a mix of desire and determination.

He moves his body even closer, his weight pressing you into the sand. His hand grasps your chin, forcing you to meet his gaze. His voice is low and gruff as he speaks. "I'm not finished proving my point, sugar."

A soft sigh leaves your lips as you raise your head to look up at him, “Please don't screw me over,” you want him just as much as he wants you, but you're not looking for a simple one night stand.

Jake’s gaze meets yours, his eyes searching yours for a moment before a soft smile tugs at the corner of his lips. "I won't," he says, his voice firm, his grip on your waist tight. "I’m done messing around, sugar. I want you for real."

You wrap your arms around his neck, lips hovering over his. Jake's arms wrap tighter around your waist, pressing you closer to his body. His gaze drops to your lips, his eyes darkening with desire.

"I won't hurt you, sugar." you connect your lips with his in a passionate kiss. Jake kisses you back with equal passion, his arms tightening around you, pulling you flush against him. His lips move hungrily against yours, his tongue slipping past your lips to taste you.

He pulls you closer, his hands roaming over your body, his touch claiming you as his. You moan against his lips as his hands squeeze your ass, pulling you closer to him. Jake smirks into the

kiss at your moan. He tightens his grip on your ass, pulling you closer, so close that you can feel his heartbeat against your chest.

He deepens the kiss, his mouth devouring yours, and his hands continue to roam over your curves, claiming every inch of you. You reluctantly pull away from his kisses, Jake grunts in protest as you pull away from him, his lips still seeking your skin. He nips playfully at your neck before leaning back to look at you.

“Jake, we should go somewhere a little more private.” you murmur softly as you stand, he follows you up.

"Yeah, somewhere more private," he agrees, his voice a low, gruff rumble. He slides his hand into yours, intertwining your fingers. "I know a place."

“Lead the way,” your teeth capture your bottom lip as you look up at him. Jake grins at your words and the way your teeth graze your bottom lip. He squeezes your hand, his eyes darkened with hunger as he gazes down at you.

"Come with me," he murmurs, his voice edged with a hint of excitement. He begins walking, pulling you behind him, leading the way to a more private area.

“Where are we going?” you question while following close behind him. Jake looks back at you over his shoulder, a sly grin on his face.

"You'll see, sugar," he replies, his voice full of mystery. He continues to lead you through the base, eventually stopping in front of a door that leads to a small storage room. Jake looks around to make sure no one is watching before pulling you into the room with him.

Jake laughs softly at the surprised gasp that escapes your lips as your body collides with his. He locks the door behind him, sealing you both in the small storage room. His arms slide around your waist, pulling you closer to him, his eyes darkened with desire.

"Looks like we're all alone now," he purrs, his voice a low rumble. "Just how I like it." your hands slide up his shirt, fingers brushing over his strong abs.

“We’ll have to be quiet,” you whisper softly. Jake shudders slightly as your fingers roam over his abs, his muscles flexing beneath your touch.

Your words only further excite him, and he gazes down at you with darkened eyes. "Can you do that, Y/N? Keep quiet for me?" he teases, his grip on your waist tightening. You pull his shirt off, pressing soft kisses to his muscles.

“Can you stay quiet?” you mutter against his skin, sucking a soft mark into his collarbone.

Jake lets out a low, ragged moan as you pull off his shirt and press your lips to his skin, his eyes momentarily closing as he succumbs to your touch.

Your words send a shiver down his spine, and a cocky grin spreads across his face. "Is that a challenge, sugar?" he murmurs, his fingers grasping your hips tightly.

“Of course,” you suck another mark into his skin, your hands traveling down his stomach before landing on his erection. Jake's body tightens as your mouth moves against his skin, his chest heaving with ragged breaths. He shivers beneath your touch, his hands flexing against your hips.

When your hands move lower, he gasps softly, his eyes closing as his length stiffens against your touch. "Careful," he grits out, his voice strained. He moves, pressing your back against the wall, trapping you in his arms.

Jake's need for you is palpable as he desperately pulls away your clothes, his eyes never leaving yours. The cropped shirt is first to go, revealing your lacy bra. His fingers make quick work of the clasp, freeing your breasts to his eager gaze.

The look on his face is pure desire as he takes in your bare skin, his breath coming in short, ragged pants. His rough, calloused hands skim over your curves, sending waves of heat through your body as he pushes down your shorts and panties. The sand from the beach clings to your skin, but it's your own heat that you feel more intensely.

His eyes are dark with passion as he takes in the sight of you, fully exposed and vulnerable before him. The anticipation is almost unbearable as he trails kisses along your collarbone, down your chest, and over the sensitive peaks of your breasts. Each touch feels like a brand, claiming you as his own.

With trembling hands, you reach down to Jake's belt, pulling it open with a quiet jingle of the buckle. His eyes never leave yours as you unbutton his pants, sliding them down his hips, along with his boxers. His erection springs free, and he groans as your fingertips graze over it. You wrap your hand around him, feeling the heat and hardness of his desire.

The room seems to shrink around you as your breaths mingle, the tension between you thick with passion. Jake's hands glide over your bare skin, leaving a trail of fire wherever they touch. He steps closer, aligning his body with yours, his length pressing against your stomach as he nips at your earlobe. "Are you sure about this, sugar?" he whispers, his voice strained with need.

“Yes, please.” You moan out your own desire clouding any remaining doubt. He lifts you, your legs wrapping around his waist, and you guide him to your entrance, the anticipation making your body tremble. With one swift, powerful thrust, he fills you, eliciting a soft cry from your lips.

The sensation is overwhelming, his thickness stretching and filling you in a way that no one else ever has.

You dig your nails into his shoulders, holding onto him as he begins to move, his hips driving into yours with a passion that matches the rhythm of his racing heart beat. Each thrust sends shockwaves of pleasure through your body, and you bite down on your lip to stifle the moans that threaten to spill out.

Your eyes lock onto his, and in that moment, you realize that this isn't just about the chase anymore. There's something deeper, something raw and real connecting the two of you. And as you cling to him, lost in the intensity of the moment, you know that no matter what happens after tonight, you've found something worth fighting for.

With the door to the storage room firmly locked behind you, Jake's passionate onslaught leaves you gasping for air. You muffle your moans by biting onto his shoulder as he thrusts into you with a newfound speed, his movements becoming more urgent and powerful with each passing second. His teeth graze the soft skin of your neck, sending shivers down your spine as he marks you as his.

The sound of your bodies slapping together echoes softly in the confined space, mixing with the muffled sounds of the base outside. His muscles tense and release beneath your grip, his grunts of pleasure becoming more pronounced. The sand clinging to your skin is a stark reminder of where you are, but all you can focus on is the fire burning between your legs.

The scent of sex fills the air, and you can feel the heat of his desire for you, his need to claim you completely. His hands move to your hips, guiding your movements, urging you to meet his every thrust. The friction builds, a delicious pressure coiling in your stomach, and you know you won't be able to keep quiet much longer.

His eyes bore into yours, a silent question that you answer with a nod, giving him the go-ahead to unleash his full passion on you. And as the first wave of your climax hits, you let out a soft, needy cry that's quickly swallowed by his mouth, his own release not far behind.

Your bodies shudder together, clinging tightly as the intensity of the moment overwhelms you. For a brief second, you forget where you are, lost in the pleasure of his touch, the feel of him deep inside you.

Jake's body trembles as he comes down from his high, his heart still racing. He holds you close, his forehead resting against yours, his breath coming in ragged gasps. His hands continue to roam over your skin, his touch gentler now, a possessive yet loving caress.

His eyes are still darkened with desire, but there's a new tenderness in his gaze. He looks down at you, his lips finding yours in a slow and gentle kiss. Your fingers trace his muscles as you pull away for a breath, chest rapidly rising and falling. You reach for your discarded clothes, beginning to dress again.

Jake watches you as you begin to dress again, a faint frown of disappointment on his face. He leans against the wall, his eyes never leaving your body as you pull on your clothes.

“Can’t you just stay like that?” he teases, his voice gruff. You kiss his lips sweetly while buttoning your shorts.

“You’d like that wouldn’t you?” You smirk softly as he gazes down at you with pure desire.

Jake grins at your response, his arms encircling your waist once again. He can't help himself, the sight of you dressing is somehow unbearably seductive.

"You know damn well I would," he rumbles, his thumbs caressing the exposed skin of your waist.

His fingers move to pull at your shirt as he tries to undress you again. You playfully smack his hands away, “Won’t your coworkers be looking for you soon?” Your voice is a soft warning.

Jake frowns in disappointment as you swat his hands away from your shirt, a small huff of frustration leaving his lips. He knows you're right, and he knows that he needs to get back to work. But his body still aches for you, the taste of you still on his tongue.

"You're ruining my fun, Y/N," he pouts, his hands moving down to grab your hips instead. Jake's lips find your neck again, his mouth and tongue caressing the sensitive skin as he kisses and nips at your flesh. His body presses closer to yours, his hands pulling you flush against him.

He groans softly, his frustration at being interrupted clear in the sound. "Seriously, sugar. Can't I just stay here with you?" he murmurs, his warm breath sending shivers down your spine.

“Mm, pretty boy,” you groan out the nickname you gave him, “I wish we could stay here, but if anyone needs in.. and finds the door locked,”

Jake growls softly in protest, his teeth gently biting your neck at your use of the nickname "pretty boy." He knows you're right, but he still doesn't want to leave.

"I hate when you're logical," he complains, his hands running down to grip your hips, pulling you closer to him. His lips find your ear, his voice a low, possessive murmur.

But his body aches for you, and he doesn't want to let you go. His mouth is still against your neck as his hands wander your body.

“We really should leave Jake..” you murmur softly while leaning into his intoxicating touch.

Jake lets out a deep, shaky sigh as you lean into his touch. He buries his face in your hair, inhaling deeply, committing your scent to memory. He knows you're right, but he doesn't want to admit it.

"I know, sugar," he mutters, his voice raspy and filled with reluctance. "But I'm not ready to let you go yet." His arms move around your waist, pulling you even closer to him.

Before you can protest again, the familiar voices of his fellow pilots ring out from outside the door. “Hey, do you know where Hangman went?” Coyote questions the man he’s with.

“Nah no idea, last I saw he was following Y/N out of the bar.” Fanboy replies, their voices getting fainter as they pass by the door.

Jake freezes as he hears the voices of his fellow pilots outside the door. His body tenses against yours as he recognizes Coyote and Fanboy's voices. He lets out a low curse, his eyes darting to the door in alarm.

For a moment, he contemplates ignoring them and staying in the storage room with you but he knows that's not an option. He looks down at you, his eyes filled with reluctance as he mutters a curse. "They're looking for me..."

“Don’t make them search for too long,” you reply with a soft smile, your arms dropping from his warm body.

Jake's body immediately misses the feel of your touch as your arms drop from his body. He watches you with thinly veiled longing, his fingers itching to pull you back against him.

He sighs deeply, his shoulders slumping in resignation. He knows he has to go, but he doesn't want to leave you. He reaches out and gently cups your face in his hand, his thumb tracing the line of your jaw.

"Give me your number," he mutters, his voice thick with authority. You hand him your phone for him to put his contact information in, he presses a gentle kiss to your head before begrudgingly leaving you alone in the storage room.

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peppermintquartz · 1 month ago

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I weren't even mad at first, y'know? I mean, there I been, molderin' away in that dark musty corner of the warehouse, surrounded by dummies and puppets. Sure it was restful, especially after being paraded about for what, a hunnerd years, bein' used to scare up some coin from kids too stupid to know they been conned into lookin' at a dead man. But it was nice not bein' treated like trash for a bit.

And then that boy Buck dang broke my arm. My arm! I know it dint hurt, what with me been dead so long, but still, it was insultin'. And I dint like his lookin' like Filthy Pete neither. Never liked his moustache what looked like a broom doing a shuffle with 'nother broom over his lip.

So I just sorta cursed him. Look, he took my arm. The Good Book said eye for an eye, yeah? I was kind enow just dislocatin' it. I mellowed since I died. No more bile left in me, I'm all dried up as a pebble in the middle of the desert at high noon!

The boy Buck got himself a good man though. Big strong shoulders. Made me miss my Johnny, he did. Though Johnny hadn't never fluffed my pillow even when we was sweet on each other. And if Johnny seen what this Tommy did done for Buck, he'd probably shoot him for bein' soft.

Maybe I shoulda been a little soft with Johnny, might've made him happier. And Johnny's done got himself caught robbin' a bank full of silver afore I could tell him about retirin'. Once he was gone... Well. I tried to go save him but the rat arsed bastards tied me up and tossed me to the law. They got what they deserved. Weren't me, though. They were backstabbin' cowards and people like that never got to live long nohow.

And then the boy Buck somehow got me a funeral and a headstone? Ain't much, but it be a place to finally rest, and after being shown all over the west as a toy or a prop I think I deserve a rest. He made amends as best he could, and he ain't wronged me as much as those who threw me to the law.

Besides, his big strong man asked nicely, and I ain't so mean as to turn down a pretty face.

[now edited on AO3]

#bucktommy #billy boils #tevan #pq writes

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piratecaptainscaptainpirates · 6 months ago

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Okay, so, there's one thing that I'm kind of tired of beating around the bush with white fans about, and it's this: if you pretend to "ignore" race in OFMD, you will miss a lot of what the story is trying to tell you.

Now, I do not truly believe that race is something you can ignore in a story. I just don't think it's possible, and when you try, what you wind up with is something like the conservative worldview of "not seeing color." Trying to ignore race will make you sound racist and ignore important racialized themes.

You can't understand Stede's need for character growth at the beginning of the show if you just focus on how he's "cringe" instead. When Stede makes his crew members of color serve them at dinner when the English board, this is gross, and their faces tell us exactly how they feel about it. Stede unlearning his biases here isn't subtle (guy who called him and Pete "fucking racists" I love you forever), and learning to take all of his crew members seriously as fully actualized people, moving away from the sort of Kindergarten-teacher behavior at the start to truly valuing them as people and taking their input and suggestions, it's an important aspect. Stede asking Abshir for intel at the party isn't just funny, it's also proof he's learned to see value in people in positions like Abshir's.

You can't understand the motivations behind Ed's actions, especially the violent ones, if you ignore the racist overtones. Ed is not a randomly violent person - he gets angry at a captain for calling him a "rich donkey," and if you think it's unreasonable for a brown man to want to get revenge on a white man for calling him that? Then fuck I'm glad you can't see the conversations I have with my other black friends, man. Ed's anger and frustration at the party aren't just because he fucked up with some spoons, lol, you can't get it unless you realize he's the only brown guest in that room. Yeah, he's ignoring Stede's advice, but he's immediately under a pressure Stede never has been. Ed's wanted posters in s2, too, rely on heavily caricaturizing Jewish features to make him look grotesque and monstruous. We're supposed to be horrified by that aspect.

And, yeah, when we ignore the racist tones to Izzy's behavior, I think that's undermining an important aspect of who he is as an antagonistic character. Him buying Ed from the English should feel like a gross violation, because it is. When he sits in front of the crew eating and making Fang and Ivan serve him, I think it's a pretty obvious parallel to how the crew members of color were similarly insulted in the pilot. It's impossible to ignore race in the way he dehumanizes Ed and tries to force him back into a caricature of behavior he hates and is horrified by - when he calls Ed a "wild dog" in s2, if that doesn't cause a visceral reaction of disgust in you, I dunno what to tell you. This doesn't mean that Izzy is irredeemable - just as Stede wasn't - but it does mean that racist biases are things Izzy had to unlearn.

OFMD so often takes so much care with how its characters of color are depicted. We get thoughtful, relatable moments (those French boat people getting humiliated and setting their boat on fire after they'd tried to touch Ed's beard is so satisfying, guys) and excellent, supportive friendships between men of color. The characters of color on OFMD are clean, smart, respected, and it's wonderful. And just because these things aren't always relatable to you specifically doesn't mean they're not important parts of the story.

#ofmd #our flag means death

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tealeavesandtrash · 8 months ago

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Wolfstar Micro Fic - @wolfstarmicrofic prompt: Dogwalker - 421 words

[unknown number] Hi. Sorry to bother you, Pete gave me your number. I’m looking for a dog walker, he said you might know someone? Thanks, Remus

hi remus i’ll ask around, what are the dates? sirius

This Thursday? Hopefully for 2 weeks but I’m having an op so might change I know it’s short notice but everything fell through and I'm running out ideas

sorry, just talking to pete i’ll do it

You will?

yeah i work round the corner, i can take him out at lunch

Thank you so much you're a lifesaver

no probs

————

Thanks for today I think Padfoot likes you

good bc I like him too also no offence, when pete said knee replacement i was expecting a grandpa

None taken And no offence, when Pete said dog groomer, I wasn’t expecting so much leather and tattoos

no offence taken ;)

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[attached photo] stick maybe coming home with us

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[attached photo] You've knackered him out

————

I have phsyio this morning Key is in flowerpot if I'm not back

no worries

————

how was it?

An hour of them teaching me how to bend my knee Like I haven’t been doing that my whole life??

well… you werent doing a great job of it if they had to replace it

Hilarious.

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[attached photo] He’s waiting for you He knows your late

sorry padfoot :(( tell him ill be 5 mins x

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okay so slight incident

What happened??

[attached photo] big fan of muddy puddles

Oh jesus

ill take him back to work and clean him up

You really don't have to I can bath him

no offence ive seen you hobbling about you cant wrangle him into a bath and kneel down to wash him

I can handle it You’ve done enough already

its fine i had a cancellation won’t be a full pamper but youll have a squeaky clean pup back at 2

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I dont think Padfoot's ever smelt so good

thats the blueberry pawfume

The what

pawfume dog perfume blueberry scented

didn't know that was a thing

next opening i have hes getting the spa treatment

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PT's cleared me for low-impact exercise Aka get off my arse and start walking more

Oh congrats! I mean I’ll miss padfoot But glad ur healing good :)

Well You can still come with? Padfoot really likes you And I like talking to you

I like talking to you too

Or I coud take you out to dinner? As a thank you for everything I couldn't have coped without you

It’s a date x

#the absolute rage when i copied this over from my docs a relaised tumblr doesnt do right aligment and i had to reformat the whole thing????#but also i can get away with not as much proofing bc any typos are intentional style choices sksksklksk #remus lupin #marauders #sirius black #wolfstar #micro fiction #wolfstar fanfiction #marauders fanfiction #maddy writes #texting fic #dog walker au #modern au #remus x sirius #wolfstar microfic

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bluecollarmcandtf · 4 months ago

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Used Meat-Suit For sale!

Sup Internet! Like the title says, I'm selling this old thing, so hmu if you're interested in him.

I've been wearing this guy for years now, so I don't really remember where I got him. I think he was a lineman on some football team; and with his 6'-7", 280lb body, he was probably really good at it! He might've been called Paul or Pete maybe, but I've just been wearing him to do yard work around my house, so I haven't used his name. My neighbors all assume he's my personal landscaper or something. I usually pull some XL khaki coveralls over him when I take him outside, but I figured any buyer's gonna want to see as much of him as this website allows.

Also, please ignore his boner! I may have had a final jerk in that thing before hopping out. I just wanted one more, for old time's sake! If you've ever had a meat-suit before, then you know it sort of pauses where you leave it. His limbs don't stiffen or anything; he's like a limp ragdoll when no one's inside, but all the background changes that occur over time like hair growth, muscle loss, and yes-boner deflation just stay the same as you left it.

I'm looking to get around $500 for him, but I'm open to haggle if you want. There's nothing wrong with him! I take great care of all my suits, but he is still a little dirty from the last time I used him to mow the lawn.

That's it! Can't think of much else to say that'll convince you to buy him. I mean he's a great thing to throw on when you have some heavy lifting to do! Or maybe you wanna get into football with him! I'm sure there's still some memory of the game in those muscles. You might have to hit the gym first; he's strong, but I definitely did not keep up whatever insane workouts he was doing before I took over. He was a fucking muscle-ox back then!

Reach out if you're interested! I'm not even going to try to ship him though. He's way too heavy. You'll have to stop by and pick him up. Shouldn't be hard though because you can just wear him out the door!

Disclaimer: If you haven't owned a genuine human bodysuit before, it is a responsibility! You have to put them on every so often to shower, shave, brush their teeth, and everything. These things are real bodies that still sweat, grow, and get fat if you just leave them lying around. Take care of your shit!

#body theft #meatsuit #meat puppets #male possession #gay ai art

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otherone12 · 1 month ago

Note

Hi, I'm obsessed with the way you write your stories and I'd like to ask for a request, it's the first time I've done one but I love your stories. I'd like to ask you for one about basement gee x reader (the plot doesn't matter) but I'd like something smut (of course one where both are of legal age) but I'd like to see gerard as someone who is geeky and is in love (somewhat sickly) with the reader

I'm sorry if it's weird, and also English is not my first language so I'm sorry if the wording of the message is bad.

I’m Awkward, Not Dangerous!

Basement!Gerard Way x Reader

-> Masterlist

Hi!!! Omg, I'm glad you like my fics <3 !!! And also thanks for requesting!! I really loved the idea!! Well, I tried to make his nerdy side very visible, mainly by making him very weird in terms of social relationships and some geek references along in the story. Ngl, I had to write this one like three times, 'cause was never good enought, but I think it's nice now lol. I hope you like it! (If it turned out too different from what you imagined, let me know and I'll try to fix it :) )

(If u have some suggestion, idea, or request, just drop it! )

Summary: It suppoused to be another day, but things turned a different when Gerard invite you to watch a movie in his basement, let's just say he REALLY likes you, and you discovered this in the creepy way possible. (I'm terrible at writing summaries)

- Word Count: 3.000

- Warnings: afab SMUT, awkward gerard.

- Ps: I'll not use y/n…

- Ps2: I'm brazilian, so english is not my first language ... sorry if i wrote something wrong.

___________________________________________

1st Person POV

School sucks, our senior year was supposed to be a little funnier, right? Unfortunately, that's not what's happening, but it's infinitely better when they're with me.

Sometimes we spent entire periods outside the classroom, just chatting about anything and listening to our favorite bands, while we smoke behind the bleachers.

This was another one of those afternoons, where one less math lesson didn't make any difference, and it seemed much more interesting to hear Frank make jokes about someone's clothes. Followed by Mikey update us on the latest gigs in town, or Ray making insightful comments on every topic that comes up.

Sometimes, Gerard talks about the backstories of the heroes he created, so we spend hours thinking of outfits and some scenes that might be cool. Is really cute when he gets all excited talking about things he likes.

After a while, the conversation starts to wind down. Frank is scrolling through his phone, muttering something about needing to practice with his band. Mikey checks the time and mentions that his work shift was going to start. Ray says he has to study for some test he has tomorrow, and heads out first, leaving the rest of us behind with a lazy wave.

- Guess that’s it for me, folks. - Frank said, getting up - if I miss one more essay they'll look for another guitarist.

- I think I'll go too - Mikey stubbed out his cigarette and picked up his backpack, making his way to the video store - but I'll probably be home by 9pm… maybe later if Pete and I go drink something after the shift.

Within minutes, it’s just Gerard and I.

He’s sitting a little awkwardly, tucking strands of hair behind the ear, like he’s waiting for the right moment to say something. It’s sweet how shy he gets sometimes, especially when the others aren’t around to drown out the silence. There’s always something a little different about him when it’s just the two of us.

- So, uh…- He cleared his throat. - Do you... wanna come over? I was gonna watch that new horror movie I told you about. The really bad one with the cheesy practical effects…

His voice was low, and he blinked with his beautiful hazel eyes, pleading. After a few seconds, he gave a shy, hopeful smile.

- I mean, only if you’re not busy or anything…

- Nope, I’m totally free. - I smiled at him, excited to watch the movie with him.

The walk to Gerard’s house is filled with easy conversation. He talks about the movie, rambling about the director’s other films, his company was really nice, actually. Every now and then, my shoulder brushes his, and I swear I catch him glancing at me from the corner of his eye. Wasn’t something bothering, but it’s kinda… weird?

When we finally reach Gerard’s place, he fumbled with his keys at the front door, a little too eager.

- My parents aren’t home… - He said, being a bit surprised - Well, I'm gonna fix the things in my room in the basement… Can you wait a minute?

he scratched the back of his neck, apparently nervous, so I let out a smile in an attempt to comfort him. I understand that since we hadn't arranged it beforehand, he didn't have time to prepare or anything.

- Sure!

- I’ll be right back - Gerard rushed to his basement, and I stayed in the living room of Way’s house.

Looking around, I saw family pictures, some paints on the wall, books, a pretty carpet… It was a pretty house. Wasn’t long before Gerard returned from the basement, nodding and beckoning me to follow.

Wasn’t the first time I went to his basement, but I was never alone with him.

It’s cluttered but cozy, just like the other times: comics spread out on his bed, action figures on shelves, and posters of old movies plastered along the walls. His bed was covered with a batman sheet, and he gestures toward it with an awkward smile.

- Make yourself comfortable. - Again, he rushed away, going to the kitchen - I’ll grab drinks.

I sat down, noticing the little details scattered everywhere. He even has a stack of DVDs, just waiting to be watched. It’s easy to see how much of himself Gerard has poured into this space, and somehow, that makes it feel intimate.

He came back with two cans of soda, handing me one as he flops onto the bed beside me. His knee bumped into mine, but he didn't pull away. Instead, he pressed play on the remote, the movie starting with a dramatic, over-the-top horror intro.

As the lights dim and the movie flickers to life, I notice Gerard sneaking a glance my way. It’s quick, like he’s checking to see if I’m still there or if I’ve evaporated into thin air. He shifted in his seat, awkwardly pulling his hoodie sleeves over his hands.

I tried to focus on the screen, I really do, but out of nowhere, his hand brushes against mine. It was kind of an accidental touch, my heart raced, but I didn’t move it.

After some seconds of just the sound of the movie filling the room, Gerard cleaned his throat and took a deep breath, like he was trying to take courage to say something.

- Y’know… - I turned my attention to him - I’ve been wanting to do this for a while.

I Glance at him, and he’s looking at the TV like he’s afraid it might explode if he makes eye contact with me.

- Do what? - I asked, trying not to sound as jittery as I feel.

- Uh... spend time with just you. - He scratched the back of his neck, and his gaze moved from the tv to me.

I didn’t know what to say, so I defaulted to my nervous habit, fiddling with my bracelet, twisting it around my wrist like it holds the answer to every awkward situation. Gerard noticed, of course, because apparently, he has a PhD in Me Studies.

- You don’t have to be nervous, sugar.

“Sugar”? He never called me that way before. But he kept talking, like it wasn’t a big deal. I did not protest, I actually kinda liked it.

- You always mess with that bracelet when you’re nervous. - He said like it was something obvious - It’s... kinda cute.

I shifted slightly, trying to get comfortable, only to realize: Gerard isn’t watching the movie. He’s watching me. And he’s terrible at being subtle about it.

Before I can process what’s happening, he slips his hand into mine, like a middle-schooler figuring out how to hold hands for the first time. His palm is warm, a little sweaty, okay, a lot of sweat, but weirdly... I didn’t mind.

It wasn't as if I didn't like him, maybe I really liked him too, I'd just never thought about it before. Back to the movie, my mind was filled with a million other things to think about, so I couldn't even focus on looking at the screen. My gaze traveled around the room, but something caught my eye: a small, familiar notebook lying half-tucked beneath a pile of DVDs on the coffee table really close to his bed.

The same notebook Gerard always carries with him at school, the one he’s always scribbling in during lunch or between classes. I couldn’t help myself to take advantage of Gerard's distraction, and I flipped it open.

My eyes went wide and my heart skipped a beat when I saw what was inside that notebook. Pages and pages of photos of me. Some printed, others cut out from old Polaroids. All of them are candid shots, taken without my knowledge. There’s one of me smoking behind the bleachers, another of me laughing with Mikey, and several from school, walking to class, sitting at my desk, leaning against my locker.

Each one is accompanied by small, scribbled notes in Gerard’s messy handwriting. Things like “She looks so pretty here.” or “I wish this was just the two of us.” … Along with sketches of portraits, pieces of comics that meant something in our “relationship”. There were sketches of us together, drawn in different comic styles, one of us as Jedi, another as superheroes, and even one as cartoon vampires, all accompanied by little speech bubbles with inside jokes.

Every page flipped, I got even more shocked about the large amount of content he has there. Things from years ago, and the last things were from the last days.

- Hey... What are you looking at? - His voice is soft, but there’s an edge to it now, a note of panic creeping in.

I glance up to see Gerard frozen in place, his hazel eyes wide with fear as he notices the notebook in your hands.

- W-where did you…? - He mumbled, turning bright red, embarrassed - Uh... I can explain! Wait, no, I mean- don't freak out... It’s... okay, it looks bad, but it’s not that bad.

He let go from my hand and got up, rubbing his hands together nervously. he began to pant, and his countenance indicated that he was desperately looking for an excuse.

- Well, it is exactly what it looks like! - I yell, turning back to the notebook, still shocked, analyzing every page.

He turned around, rubbing one of his hands over his face in a messy motion. Before long, he began to walk around the room in circles, while his shaky voice continued to speak.

- Oh God, I’m gonna die. Yep. This is how I die. - he murmured to himself, before facing me again - Just bury me under these comics.

Before i could say anything, he blurts:

- Okay, look… it’s not like I’m a total creep, okay? I-I just... thought you looked cool... like, really cool, and, um - The words rushed out of his mouth, as if he had stopped thinking and was just throwing anything to ease the situation -… okay, I might have taken some pictures without asking… b-but it’s not like ‘weird’ weird! It’s... more... uh... admiration?

I couldn't hide my look of confusion. At the same time as I wanted to get out of there, I didn't want to. It was obviously strange, but at the same time it was adorable the way he noticed me. The things he wrote in that notebook said so much more than I could have imagined he felt. Not giving me time to think about what to say, he kept going.

- I thought, y'know, maybe if I... cataloged- no, wait, bad word… uh, recorded...? - He groans - I swear I sound less creepy in my head.

- Look, I was gonna tell you... - He insists, fidgeting with the hem of his hoodie. - I mean, not like this, obviously.

He catched my confused expression and groans again.

-Ugh, you probably think I’m a total loser now.

The more he spoke, the less frightening the situation became and the cuter he seemed to me. So I stood up, in a failed attempt to calm him down, but the result was the complete opposite.

- Wait! Please don’t go. I-I know this is... a lot. But I promise I’m not some psycho. - He pauses, then adds, - Like, I’m awkward, not dangerous!

I don't know where that feeling came from. Maybe it's always been there. I wanted to hug him, kiss him and tell him that it was fine, that I knew he wasn’t a psycho.

- Okay, okay! I know I’m weird, but... don’t leave me hanging here. Please. I really... like you. - the statement caught me off guard. it's not as if it wasn't obvious, but I wasn't prepared. - Like, more than I ever thought possible.

The way he looks at me, a perfect mix of nervous wreck and hopeful puppy is strangely endearing. Something about his awkward honesty makes it impossible to walk away. So I finally react, letting a grin escape from the corner of my lip.

- You’re such a dork, Gee. - I chuckled, and his eyes opened wide.

- W-wait, does that mean…? - A confused happiness made Gerard freeze and look directly at me.

-Yeah. - I approached him, smiling and rolling my eyes - I think I like you too, you idiot.

-Oh my God… - his hazel eyes glowed and a huge smile formed in his pink lips - this is like one of those rom-coms where the nerd actually wins?!

I shook my head, laughing at his words. He’s still red-faced and fumbling, but it’s clear now: he’s just a lovable, geeky mess who adores me in his own awkward way.

- No pressure or anything, but, uh... If we were in a romance movie, this would be the part where the two leads kiss.

I chuckled and my lips reached his. The warm sensation filled my body, the kiss was sloppy and desperate, felt like something he was holding for too long, something he couldn’t deal with anymore. His hands held my waist, and I wrapped my arms around his neck. He let out a soft moan and pulled back only to whisper:

- This feels like... you know... that scene in Return of the Jedi when-

- Gerard, - I interrupted, laughing. - Less Star Wars and more kissing, please.

- Right, yeah, sorry. - He turned bright red.

Gerard catched my lips again, deeper this time, with a bit more confidence. His hand slid to my waist, thumb brushing lazy circles against my skin, and his tongue explored my mouth, while he laid me down on his bed. His lips trailing down to my neck, scattering kisses that made my whole body buzz.

-You smell amazing. Like... that forest level in that one game. You know, the one where…

He trailed off, realizing how silly it sounded, but the look on his face was too earnest to be embarrassed.

- You are such a dork. - I laughed again, running my fingers through his messy hair.

- Yeah, but I’m your dork, - he murmured, nuzzling into the crook of my neck, planting soft kisses along my collarbone.

His touch was gentle but hungry, as if each kiss, each brush of his fingers, was an apology for all the moments he’d spent longing for this.

When he slid his hands under my shirt, he paused, looking at me with wide, nervous eyes.

- Is this... okay? - he asked, shyly. The insecurity in his tone of voice was adorable, no more so than the sparkle in his eyes as he saw me give him a nod, lifting my arms so he could pull the shirt over my head. His gaze lingered on me, admiration glowing in his eyes. - Wow... You’re so -

- Gerard.- I touched his face, guiding him back down for another kiss. - You’re doing fine.

He smiled, clearly relieved, and kissed me again, this time more eagerly. His hands, still trembling slightly, found their way to the button of my jeans. He fumbled for a moment, biting his lip in concentration.

Once my jeans were off, he took a moment to just look at me, his hands resting on my hips as if grounding himself.

- I don’t want to mess this up - he whispered.

- You’re not messing anything up, Gee..- i calmed him, brushing a thumb over his flushed cheek - Just... keep going

That was all the encouragement he needed. He kissed me again, his hands moving with a little more certainty now, sliding beneath my bra to touch bare skin. I gasped, arching into his touch, and he let out a shaky breath, somewhere between a moan and a laugh.

When he finally got out of his clothes, struggling with his belt in the process,

- Stupid thing… - he muttered flustered and I couldn't stop smiling.

He was trying so hard, and there was something endearing about how eager yet unsure he was.

He kissed me again, slower this time, savoring the moment as his hands trailed down to my thighs, spreading them gently. His boxers were the last to go, and when I felt him against me, the heat between us became impossible to ignore.

- I’ve dreamed about this, - Gerard admitted breathlessly, kissing the side of my neck. - About you... For so long.

I felt my body react to him instinctively, desire building with every brush of his skin against mine. When he paused, hovering just at the edge, his eyes searched mine one last time.

- Is this okay? - he whispered, his voice low and full of both need and vulnerability.

- Yes,- I breathed, wrapping my arms around his neck, pulling him closer. - I want this, Gee.

And then, with a slow, careful thrust, his cock was inside me. I gasped, gripping his hair as my body adjusted to the sensation. The burn was sweet and overwhelming.

He started moving, hesitant at first, like he was still learning how to sync with me. But every time I moaned his name, he seemed to gain a little more confidence, his rhythm becoming more certain, more desperate.

The heat between us grew, the room filled with soft gasps and whispered encouragement. His hands roamed my body, one settling on my waist, the other cradling my face as if I were something precious. As deeper he was coming I felt the tension coil in my stomach, tighter and tighter, until I was teetering right on the edge.

- I’m close…

- Do it, sugar, - he panted, his voice thick with need. - Cum for me.

With a final thrust, the pleasure crashed over me like a wave. I clenched around him, clinging to him, nails digging into his back as I moaned his name, lost in the intensity of it.

Gerard groaned, his movements faltering as he reached his own release. The warmth of the ropes of his cum filling me up pushed me deeper into my own bliss, and we stayed like that, tangled together, catching our breath.

He pressed a lazy kiss to my shoulder, his body still trembling slightly.

- Wow… - he whispered, sounding both dazed and amazed. - That was... better than any dream I’ve ever had.

I laughed softly, brushing damp hair from his forehead.

- Yeah. Way better.

___________________________________________

~ sooo, that's it! Let me know if you liked! :)

#gerard way #gerard way smut #mcr #my chemical romance #gerard way x reader

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howlingday · 4 months ago

Text

9:32 PM

Ruby: (Yawns) I think she's finally asleep... Told ya tonight wasn't going to be so bad, Ja-

Ruby: You used your aura to cushion your steps. I should've known it was too good to be true.

Ruby: (Hops out of bed, Walks to living room)

Jaune: (Sitting with baby in lap) Please don't be mad at me.

Lancaster Baby: (Coos)

Ruby: (Sighs) Jaune, we've talked about this. Just because she cries doesn't mean you can run in and be her hero. She's going to start thinking that every time she cries, she gets to watch her favorite...

Ruby: (Sees Pumpkin Pete on TV) ...show.

Jaune: Whenever I was upset, I'd watch Pumpkin Pete. I'll put her to sleep; you can go to bed.

Ruby: No, because I am not going to risk waking up to find you sleeping in her crib with her for the umpteenth time. Now hand her over.

Jaune: (Sighs) Okay, fine.

Ruby: (Tucks baby in) Be a big girl, sweetie~!

Ruby: (Shuts door)

Lancaster Baby: WAAAAAAAAAAAAAAAAA

Jaune: (Reaches for door)

Ruby: (Blocks him)

10:02 PM

Lancaster Baby: (Via monitor) MOMMY~!. DADDY~!. WAAAAAH~!.

Jaune: (Sobbing)

Ruby: (Rubbing his shoulder) There, there...

10:30 PM

Jaune: (Slips out of bed)

Ruby: Where do you think you're going?

Jaune: Uh... To the bathroom?

Ruby: Uh huh. Sure.

11:46 PM

Jaune: (Sneaking up to baby's room)

Ruby: (Via monitor) TURN AROUND NOW!.

Jaune: (Turns around)

00:15 AM

Jaune: (Sneaks to baby's room, Opens door)

Ruby: (On other side)

Jaune: How did you-

Ruby: Pillows! I was changing her diaper! Now get back to bed!

01:06 AM

Ruby: I know this is hard to hear her cry and do nothing, but this is something we have to do as parents. Besides, even if there was anything dangerous, we would know from any of the other monitors around the house.

Jaune: You're right, Ruby. The monitors may not be showing us anything dangerous, but... (Jump out bed) I NEVER DID TRUST TECHNOLOGY! I KNOW MY LITTLE GIRL NEEDS ME!

Ruby: (Tackles Jaune) Dammit, Jaune! She's going to be stronger for this and learn to sleep on her own!

Jaune: (Pushing off the ground) Maybe, but who says it has to be tonight?!

Ruby: (Shoved off, Barrier tossed) Oh, are you serious?!

Ruby: (Sees smokescreen) AND a smoke grenade?! You are taking this way too far, Jaune!

Jaune: Shit, this is too much smoke... I need to turn on the light...

Jaune: (Turns on light)

Ruby: (Crescent Rose pointing at him)

Jaune: SHI- (Kicked in the back)

Lancaster Baby: WAAAAAAAAAAAAAAAAAAA

01:12 AM

Ruby: Jaune... Please... Can we go to bed now?

Jaune: No...

--------------------------------------------------

Ruby: (Looks inside)

Lancaster Baby: (Asleep)

Ruby: Finally... She's asleep... Now I can, too... I'm so tired...

Jaune: (Asleep in her lap)

Ruby: I know this hard for both of my crybabies, but maybe tomorrow will be better.

Scroll: (05:00 AM ALARM GOES OFF)

Lancaster Baby: WAAAAAAAAAAAAAAAAA

Jaune: (Groans) Time to get up...

Ruby: (About to cry) It sure is...

#rwby #dokidokicat #jaune arc #ruby rose #lancaster #rwbabies

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luveline · 1 year ago

Note

I am begging for tasm!peter with his clumsy girlfriend please

“What's that?”

You jump in surprise, the water in your cup lapping like an angry wave over the rim. Peter laughs, sounding vaguely sorry as he wraps his arms around your shoulders, locking you and your wet hands in tight. Water drips on your socks.

“It's not even the worst thing that's happened to me today,” you say, sighing.

“I believe you.”

Peter turns your face to his for a kiss. His fingertips on your jaw, he feels along the line of a new scratch, and asks into your lips, “How'd you get this?”

“Folded a jacket too eagerly. The zipper…” You know he's going to kiss you, though how you can tell is explained by a deeper level of intimacy. Maybe the way he breathes, or the slight movement of his fingertips. Whatever it is to clue you in, you close your eyes and kiss him softly.

“Sorry,” he says when he's left you suitably starstruck, “I'm kissing you and you're standing there in a puddle. Not cool.”

“I'm not very cool,” you say. You put your glass down and Peter lets you go, leaning down to wipe the puddle up as you take off your wet socks. You almost trip as you pull off the second and Peter puts his hand out to steady you without looking. “Thanks, Pete.”

“You're welcome.”

He bins the paper towel while you trek to the bedroom for new socks. You keep a bursting storage box of his and yours mixed under the bed, but when you pull it out the lid isn't on and all the socks at the top roll onto the bedroom floor. You can hear Peter giggling in the kitchen at your misfortune, because he can hear the plopping sound of the socks as they fall. Even if he's rooms away, he can pretty much always hear your accidents.

“Mean,” you whisper, knowing he can hear that too.

You shove all the socks back inside, realise you forgot to leave a pair out, and pull three pairs in an attempt to get just the ones. Peter does his boyfriend duty that time and pretends he doesn't hear it, though maybe he's not listening.

You're sitting on the end of the bed with your new socks finally equipped when he finds you. “Oh, there you are,” he says, like it wasn't obvious, “good. I got some antiseptic for you.”

The scratch is too small to need antiseptic, in your opinion, but you let him because it'll be nice to be cared for. Peter sits next to you and turns your face to his, smiling when your eyes catch, and frowning as the antiseptic lid pops off to reveal a foil seal.

“I hate these,” he says, needling at the side.

You take it from him and use your thumb nail to slice it open. The pressure in the tube must've been high, because a moment later pale ointment is bursting out of the spout and painting a curled line on your sweatpants.

You sigh in defeat. Peter starts laughing, big, shaking, awful pangs of laughter that rock the bed, his face dipping down to your shoulder as the strength leaves him. He finds your hands and squeezes your wrists, giggling and rubbing his thumb into your pulse. “Sorry,” he says weakly, “sweetheart, I'm sorry! I'm sorry, I don't know why you have such bad luck, it must be hell.”

He sounds happy, and it's no big deal. None of this stuff is. You press your lips together to smother a smile as he raises his head. “It's not that bad,” you say, thinking of his nice laugh, the echoes of joy etched into his eyes and their smile lines. “I'll live.”

His laugh turns slow with affection. “You'll be fine,” he agrees, kissing the corner of your mouth sweetly.

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ayyeitssarahh · 6 months ago

Text

Day 3: Peter Pevensie X Reader: Mirror Sex

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

A/n: Apologies for this being super late. Writer's block is ass. Also sorry for it being short. 18+ Smut

Warnings: Smut, Mirror sex. P in V.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

It's ten minutes till dinner and I'm in my room finishing up getting ready. Smoothing down my dress in the mirror. Lucy and Susan are sitting on the bed chatting to each other and waiting for me so we can all walk down together.

“You look fine Y/n.” Susan says. Lucy nods in agreement.

“Thank you. Just want to make sure it looks okay I mean, Peter is down there and I just..I want to look nice you know?” I say nervously.

Susan gets off the bed and walks over to me, “I get it, but it’s Peter we’re talking about. He won’t care.” She said, rubbing my back in comfort.

“I still don’t understand your crush on my brother Y/n.” Lucy says also getting off the bed.

I rolled my eyes, “Of course you won't Lu, he’s your brother” I said. She just smiles and shakes her head.

I take one more look in the mirror and then turn around and take a big breath. “Alright, I'm ready. Let’s go.” I said

We all turn around and leave the bedroom, walking down the stairs. I can hear grunting and rustling. We get down stairs and see the boys. Edmund and Peter, wrestling each other.

Me and Lucy look at each other and roll our eyes. We stand there for another minute before Susan clears her throat. They stop, and slowly turn their heads to see us standing there.

I cross my arms and raise my eyebrows. “What,are you boys doing?” I ask.

They scramble off the ground and dust off their clothes, Edmond clears his throat, “we were just messing around.” he said nonchalantly.

“Of course you were.” I said back. I look over at Peter to see him staring at me but when he notices me looking he clears his throat and looks away.

“We should head to dinner. It’s almost 8 and Ms.Chatham said the food is almost ready.”He said, heading to the dining room.

We all follow him. Taking our places at the table. Ms.Pevensie is already there.

“About time children. Ms.Chatham is about to bring out the food. Sit, sit.” She said,

“Apologies Mum, we lost track of the time.” Peter said.

“It's quite alright but do not make a habit of this.” She said in a warning tone.

As she finished this. The food started coming out. The servers, Justine and Mikey, start plating everyone. Starting with Ms.Pevensie, seeing as she is at the head of the head, then Peter and I since we are on the right side of the table. Susan is at the other end and Edmund and Lucy are on the other side.

“Thank you Justine and Mikey. You are excused until dessert.: Ms Pevensie said.

They quickly walked back to the kitchen and we began to eat. Dinner time is quiet as usual. Everyone is too hungry to enjoy conversation.

As I'm taking a bite of the pasta, I feel a breath on my ear.

“You look lovely tonight Y/n.” Peter whispers in my ear.

I Blush and nod, “Thank you Pete.” I said back

He smiles and we go back to eating.

We all finish the meal in silence.

Justine comes out a few minutes later to collect pur plates.

“Excuse me for a moment. I need to use the restroom” I say standing up.

The bathroom is down the hall and then when you turn left it's the 3rd door. It's a good distance from the bathroom.

I go about my business in the restroom. Washing my hands and drying them. As I open the door to leave. I get pushed back in.

“Woah!” I yell. Looking up to see Peter closing and locking the door.

“Pete, What the hell are you doing?” I asked.

He looks at me for a sec before slowly walking towards me.

“I don’t know. I just..can’t get the image of you in this dress,” he takes a finger and runs it down my side, “out of my head” He whispers.

My breath hitches and my mouth gaps a little.

‘W-what do you mean?” I ask.

He looks me up and down and then looks me in my eyes.

“I think you know what I mean darling.” He says. His face is getting closer to mine.

My eyes close slightly as he gets closer and closer. His lips ghost over mine, and his hands grip my waist.

Just as I think he's gonna kiss me, he quickly turns me around and pushes me up against the sink so we’re now looking at each other through the mirror.

“What are you doing?” I ask. Try to wiggle free.

“What I’ve been wanting to do for a while now.” He responds. Giving my neck slow kisses.

My head tilts back unconsciously.

His right hand trails down to the hem of the dress and pulls it up over my waist. Still placing kisses on my neck, he moves his hand to my panties, hooking his finger under and dragging them down.

I open my eyes slightly and make eye contact with him in the mirror.

My hand reaches back and grips his cock, slowly rubbing it for a few seconds before pulling it out and rubbing it on my entrance.

He hisses and his head tilts slightly. He removes my hand and takes over, slowly pushing inside me. I moaned, but I guess too loudly because he had to put a hand over my mouth.

“Quiet darling. Don’t wanna get caught now do we?” He asks. I shake my head quickly.

He starts off slowly before picking up the paste.

“Imma take my hand off now, think u can stay quiet?” He asked.

I nod and he takes his hand off and puts it on the waist with the other one.

Starting to pump faster I lean over the sink, needing to grip something. My hand came in contact with the already semi steamy mirror.

He groans slightly “Oh god, i'm gonna come darling. I-I need you to come with me baby. Can you do that?” He asks hurriedly.

I nod. “Uh huh, Yes yes yes.” I whisper, my voice cracking.

“Okay baby,” he says, pumping as fast as he can, “On the count of three baby, come with me.” He says.

“1” His hands move to my shoulders for a better grip.

“2” My right hand is still gripping the mirror, my left grips his arms.

“3” He says and we both let go, I moan so loud he has to turn my head and kiss me to shut me up.

When he finally stops thrusting, we both pause for a minute to take a deep breath. My body slumps against the sink and he slowly pulls out.

He puts himself away and then turns me around. He helps me pull my panties back up and fix my dress before grabbing my face and giving me a passionate kiss.

I gasp as I pull away. “How, how long have you wanted to do that?” I ask.

He rubs my face with his thumb “Since I met you in year 9” He says and smiles.

I smile back.

“I’m pretty sure it's already obvious but if it’s not. I like you Y/n. Alot.” He says.

“I like you too Pete.” I say back. Blushing and reaching up to give him another kiss.

#smut #narnia fanfiction #peter pevensie #peter pevensie x reader #chronicles of narnia #smut writing #edmund pevensie #lucy pevensie #susan pevensie

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